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Introduction to Art Writing Workshop at Backlit (March 17, 2018)

24 Mar

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The first Introduction to Art Writing session took place on the afternoon of Saturday 17 March, and despite the day’s heavy snow and blizzards drew around twenty five people to Backlit.

Matthew Chesney, Backlit director, introduced the session and touched on some of the host gallery’s activities, including his own experience of putting together a publication, House of the Flying Wheel, that explored the history of the building (once part of the textile empire of Samuel Morley and the Morley textiles company) and the evolution of Backlit itself as a place for artists’ studios and a venue for performances and exhibitions, currently Strike Site, a group exhibition based on ideas and experiences of migration, displacement and borders curated by the writer Sacha Craddock.

Following this, Wayne Burrows introduced some samples from the wide range of outlets for different types of art writing, noting the ways that each has its own particular approaches: an article in an academic journal will take a different form to a review in a specialist contemporary art magazine, while newspapers and more general interest magazines covering art, but not exclusively about art, will make very different assumptions about the reader’s knowledge and potential interest in the subject. Looking at journals as diverse as Frieze and Art Review, Nottingham Visual Arts and LeftLion, and a variety of artists’ books, catalogues, press releases and other publications, we touched on how each makes its own distinctive demands on the writer.

Wayne also discussed the development of his own work, from working mainly with poetry and journalism to projects that use collage, exhibitions, films and performances alongside publications as vehicles for fiction and the building of alternate realities:

Wayne Burrows links: https://wayneburrows.wordpress.com/links/

Beyond the more straightforward field of critical writing, where the standard formats might be reviews, essays and interviews, we looked briefly at those points where writing about art blurs into writing as art, and it was here that the most creative approaches seemed to be found. Whether the more hybrid kinds of poetic essay, artists’ text – or even in works where the artwork itself employs characterisation and narrative, or constructs a fictional world or history – there were forms that art-writing could take that pushed through the confines of the kind of prose found in press releases, exhibition information panels and catalogue essays.

With this range of possibilities and potential responses in mind, participants spent time in the Strike Site exhibition and were invited to write down (or simply think about) a few lines that might embody a response reflecting a particular viewpoint, rooted in the participants’ own interests and reasons for attending the workshop. During the discussion that followed, there turned out to be no standard angle, but rather a range of individual concerns: some focused on the issues raised, others on aesthetics; some were positive, some critical; some considered the forms of the works included, others paid closer attention to their positioning, relationships or content.

In exploring these responses we also discussed some future possibilities for the group, with developing writing skills, sharing work, making connections between people, creating a group to discuss exhibitions on a ‘book club’ model and building a network all mentioned at one point or another. After resolving an earlier technical hitch, we concluded with a short screening featuring three short films, chosen to illustrate the points made earlier about the more creative, ‘expanded’ aspects of how thinking about writing – in the form of both text and strategies of fiction-making or world-building – can apply in relation to particular art-works.

Shana Moulton Whispering Pines II 2007

These films included Shana Moulton discussing her Twin Peaks-inspired Whispering Pines series of artist films featuring an alter ego named Cynthia; footage from a live text-based performance by Sophie Jung; and a short film in which the artists Tai Shani and Florence Peake introduce the fictional archaeological and political ideas that informed their collaborative installation Andromedan Sad Girl at Wysing Arts Centre last year. Links to all three films are included here for those who missed them:

Shana Moulton: https://www.youtube.com/watch?v=5Z1kow40WGY

Sophie Jung: https://www.youtube.com/watch?v=f2TwYQ6bcF4

Tai Shani & Florence Peake: https://www.youtube.com/watch?v=Hv4bavXUV_c

Tai Shani & Florence Peake Andromedan Sad Girl (2017)

As a final note, here are some of the comments written during the day on the pages put up around the workshop space to collect suggestions and thoughts from participants. These will be used, along with the comments made during discussions, to shape future sessions.

Ideas/ suggestions

Mini biogs – ‘As much as I hate them, introduction circle helps my social anxiety to be over ridden. So to intro and bio is easier when everyone does it together’

Facebook page – ‘I need to meet in person to do anything productive. Social media feels too impersonal and lacks accountability sometimes‘ (perhaps we can look at alternative online platforms?)

Seeds to grow, to create a network of writers, creatives and like-minded souls

I love writing in response to visual stimulus/ art in poetic form. Also love overlap of forms – eg: photography, theatre, performance. Would love to hear more about others’ backgrounds and interests…

What is everyone reading? I’m struggling to find new authors…

A ‘bookclub’ but for exhibitions? Go and see it, than have a chat later?

I’d love to see/read other people’s writing

Practical discussion and critique of each others’ own artwork

Thanks! worth coming, maybe fragmentation into sub-groups, also convening to re-connect would be helpful.

Great to be in a room with a dynamic range of people with a variety of reasons for having an interest in writing about the art.

The day has been amazing, informative, great content and brilliant opportunity to network.

Interesting to think about writing with a mix of participants/ fresh views.

Melanie Jackson - Deeper in the Pyramid (2018)

Next Session:

Saturday 14th April, 1 – 4pm at Primary, 33 Seely Road, Nottingham NG7 1NU. Please book your place via the Eventbrite link at: https://bit.ly/2ua96mk

Primary are also hosting an event on Thursday 12th April at 7pm with Melanie Jackson’s performance lecture and exhibition opening, free to attend and no booking required: http://www.weareprimary.org/2018/02/melanie-jackson/

 

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