“There’s a persistent sense in Chroma that these geometries and colour-codes might be read as an unknown, non-verbal language, like…
Sonnets in the Aftermath & Anticipation of a Financial Meltdown (2011)
A little depressing to realise how well some of these old Osborne-era reflections on austerity and finance are aging, and…
A Feast Of White Emulsion & Outright Chaos (SOBJECTS, Nov 2021)
“We spent a lot of time trying to work out what the fuck a SOBJECT is and just finished writing…
Research Notes from Eastern Bloc Songs, K-Pop & Japanese Vinyl Explorations (Mixcloud, 2020 – 22)
A mixcloud account, set up in 2020 to archive digitised vinyl recordings made for a variety of purposes over the…
The Enigma Of Robert Holcombe: Identity, Illusion & Artistic Invention (Dilettante, 2022)
The latest issue of Dilettante features an essay by Sophie Gargett delving into Robert Holcombe’s (somewhat fictional) life and (mostly…
Robert Holcombe’s Collage Art: Not Exactly What It Seems (BrutJournal, 2022)
In May this year a feature by BrutJournal editor Edward M Gomez appeared in the magazine’s collage special issue, looking…
Work in Progress from The Ubu Show: The Chancellor’s Song (2019)
Back in 2019 one project in development was The Ubu Show, a group exhibition centred on Alfred Jarry’s absurdist icon,…
The Soundcarriers: Wilds, Waves & Entropicalia – Record Sleeve Art (Phosphonic, 2022)
The Soundcarriers‘ long awaited fourth album Wilds and its two digital singles Waves and At The Time were released earlier…
Michael Forbes: A Coney Island of the Eye (Photobook Text, 2013)
A conversation with Michael Forbes about Coney Island as image, reality and stage. Where did the interest in Coney Island…
Introduction to Last Poems by Douglas Houston (Shoestring Press, 2016)
Reading these Last Poems by Douglas Houston, we might be forgiven for imagining their author wrote them with some anticipation…
Wayne Burrows 